German Expressionism: Crash Course Film History #7
We've spent a lot of time focusing on France and the U.S. as that's where a significant amount of both infrastructure and business models were initially set up for film. But there were other countries adding their own stories to the annals of film history. In this episode of Crash Course Film History, we're going to focus on Germany and how they got a bit expressive with film.
Explore...
Dracula, 1931 - Don't look in the mirror
Buster Keaton - The Art of the Gag
When the Day Breaks - short film interview
The importance of scene transitions
Hitchcock's Signature Features Flashcards | Quizlet
Why Are Wong Kar-Wei Films so Dreamy?
Film: History, Production, and Criticism
New...
Print Exhibition at Wingfield Barns
Impact Evaluation of LAMDA Exams in Schools
Discover...
Hitchcock Old Hollywood GCE German Film Studies ZEN Crashcourse Sixth Form Mrs Davy Coursework exhibition Narrative Clubs And Activities College Editing Aesthetics Vertigo Rear Window Art At Hartismere A Level Hartismere Yimou Silent Film
Uh-oh - we were unable to load our website on your browser so we're showing you a plain HTML version.
We use many features found in modern browsers and regrettably yours seems incompatible.
However this legacy version contains (very, very nearly) all the same content. Each page is rendered on our server and doesn't rely on any browser features except the odd font. It doesn't even need Javascript or fancy CSS. It's like being in 1995!
Your browser is reporting itself to us as Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com). Please consider updating your browser to make the most of our website.
If you would like to try our proper website again - you can do so here...