The Brilliant Subversiveness of ‘Carol’s’ Conventional Ending
Spoiler alert: this piece is about the end of Carol. If you haven’t seen the movie yet, you might want to hold off on reading this piece until you have and take a look at our review.
See also...
Cinematographer Edward Lachman on ‘Carol’ as a Stylistic Foil to ‘Far From Heaven’
Cinematographer Ed Lachman, ASC, On Shooting “Carol”
Carol (2015) Cinematography Analysis
Behind Carol: the photographers who influenced Todd Haynes’ award-winning film
Explore...
Carol Interview Special | Film4 | Interview
The importance of scene transitions
Fallen Angels: A Wong Kar Wai Masterpiece
House of Flying Daggers - mise-en-scene
Pan's Labyrinth - The Pale Man article
Discover...
Carol Aesthetics Examinations GCE ZEN Film Studies Spike Lee The New York Times staff sketchbook club Mocks Working Art Coursework British NEA Assessment Fallen Angels Sketchbook Evening SOTD Revision BFI
Uh-oh - we were unable to load our website on your browser so we're showing you a plain HTML version.
We use many features found in modern browsers and regrettably yours seems incompatible.
However this legacy version contains (very, very nearly) all the same content. Each page is rendered on our server and doesn't rely on any browser features except the odd font. It doesn't even need Javascript or fancy CSS. It's like being in 1995!
Your browser is reporting itself to us as Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com). Please consider updating your browser to make the most of our website.
If you would like to try our proper website again - you can do so here...